ORITO and KUKA / THEY WHO REBUILD

Ulrike Quade, Lisenka Heijboer Castañón, Stephanie Pan

Transdisciplinary Opera | in development


IN DEVELOPMENT

The story

The world has ended. The only survivors are ORITO, a hyper-realistic Bunraku puppet, and KUKA, an industrial robot. Apparently, without memories or context, they attempt to construct a new reality. They search for meaning in a ruined world where nothing seems to remain. Digging through the rubble of sound and memory, they try to reconstruct what exactly happened – and to discover what, or who, might have survived the blast.

The KUKA as opera singer

One of the leading roles in ORITO and KUKA / THEY WHO REBUILD is performed by a KUKA robot – an industrial robotic arm commonly used in the automotive industry. In collaboration with Rick van Dugteren from Event Robotics and Maaike Bleeker from Utrecht University, the creators have explored how the KUKA can function as both a musical instrument and a performer. Can the KUKA, for instance, create music on its own? How do you compose music in dialogue with an industrial robot? And what does it mean to create an opera in which a robot sings? By translating mechanical movements into sounds and harmonic structures, the KUKA becomes a full-fledged musician – a robot that sings, moves, and creates a unique sound world. By integrating these industrial sounds and rhythmic structures into a rich musical landscape, the traditional boundaries of music theatre are both challenged and expanded.

Background

ORITO and KUKA / THEY WHO REBUILD offers a glimpse into a long and intensive exploration of the interaction between puppetry and robotics in opera, resulting in a unique musical and visual language. In the final production, old and new will merge: centuries-old techniques from the Bunraku tradition are combined with cutting-edge robotic technology. Through this innovative interdisciplinary collaboration, the production redefines the future of opera.

ORITO and KUKA / THEY WHO REBUILD is a co-production by Ulrike Quade Company, Stichting Modulus and Operafront. The opera is composed by Stephanie Pan, written by Lisenka Heijboer Castañón and will be co-directed by Heijboer Castañón and Ulrike Quade. Costumes will be designed by Carly Everaert, and scenography will be created by Hendrik Walther.

Description

Transdisciplinary Opera featuring an industrial robot arm, a Bunraku puppet and performers

Duration

~100 minutes

Credits


A production by
  Ulrike Quade Company, Stichting Modulus and Operafront

Music  Stephanie Pan

Libretto  Lisenka Heijboer Castañón

Stage direction  Lisenka Heijboer Castañón and Ulrike Quade

In collaboration with  Rick van Dughteren (Event Robotics), Maaike Bleeker (Utrecht University)

Bunraku puppet crafted by  Hiroko Igeta, Watanabe Kazunori

Performers  Jolanda van den Berg, Anat Spiegel, Ishtar Bakhtali, Roberta Maimone, Yung Tuan Ku, Stephanie Pan